Zampell Refractories is an organization that is chiefly involved with the engineering and construction of refractories, insulation, and scaffolding within the industrial sector and facilities maintenance and management within the commercial sector. It is a family-owned business that was established in 1966 and continues to grow due to its core values of safety, dedication to its employees, dedication to its customers, and quality craftsmanship. Zampell has branch offices in Massachusetts (headquarters), Maine, New Hampshire, Connecticut, Pennsylvania, Florida, Oregon and Texas.

Founded in 1799 in Salem, Massachusetts, 15 miles from Boston, the Peabody Essex Museum is the oldest continuously operating museum in the United States. Now among the top 8% of American art museums, PEM is also one of the nation’s fastest growing art museums and operates on a global stage in terms of networks, partners, and patronage. PEM has achieved unprecedented growth over the past two decades. In 2003, PEM completed one of the most striking museum transformations in American history, including exponential growth of the operating budget and the addition of over 250,000 square feet of new and renovated gallery and public spaces. This includes 26,000 square feet of changing exhibition galleries and 55,000 square feet of galleries devoted to collection installations. In 2011, the museum announced a comprehensive and singular advancement campaign for $650M. The campaign focuses on increasing an already healthy endowment to support an expanded exhibition program; programmatic initiatives ranging from the interpretive to the digital and educational; global leadership initiatives; and an institutional culture of creativity, all in concert with fiscal stability and sound management, based on annual budget of $31 million. PEM is adding a 40,000 square-foot wing scheduled to open in summer 2019. It will include 15,000 square feet of galleries for collection installations and additional public and educational spaces. The museum is also developing a 110,000 square-foot offsite collection center for the care and study of the museum’s collection of more than 1 million works. Between 2017 and 2022, PEM will develop new collection installations museum-wide, based on innovative experience, interpretation and design strategies that reflect the museum’s commitment to drawing on multiple fields of inquiry, including neuroscience. Annually, the museum welcomes 250,000 people. It employs 250 staff and engages over 110 docent guides in support of PEM’s educational mission.

Since its founding in 1936, the Institute of Contemporary Art/Boston has shared the pleasures of reflection, inspiration, imagination, and provocation that contemporary art offers with its audiences. A museum at the intersection of contemporary art and civic life, the ICA has advanced a bold vision for amplifying the artist’s voice and augmenting art’s role as educator, incubator, and convener for social engagement. Its innovative exhibitions, performances, and educational programs provide access to contemporary art, artists, and the creative process, inviting audiences of all ages and backgrounds to participate in the excitement of new art and ideas. Spanning two locations across Boston Harbor, the ICA offers year-round programming at its iconic building in Boston’s Seaport and seasonal programming (May–September) at the Watershed in an East Boston shipyard.

The Children’s Museum in West Hartford and Roaring Brook Nature Center in Canton are Connecticut’s premiere destinations for exploration and education. The Children's Museum Wildlife Sanctuary is home to more than 100 live rescued animals. Travelers Science Dome is CT's largest digital full dome planetarium, and fun with science and nature for the family or school group, scout group, and more. Great place for a birthday party for your favorite child. Free onsite parking, walking distance to West Hartford Center and Blue Back Square. Admission: $14.75 ages 13 and up, $13.75 for children age 2-12 and senior age 63+; free for under age 2. Join our email list for special offers and discounts! Open Tuesday - Saturday 9:00am-4:00pm, Sunday 11:00am-4:00pm. Open Mondays during the summer and on local school holidays.

The Boston Athenæum, “Boston’s best kept secret” (Boston.com) and one of the most distinguished libraries in the nation, was founded in 1807. Its landmark 1849 building and architecturally significant reading rooms at 10½ Beacon Street welcome readers, thinkers, writers, and learners in the heart of Boston. Highlights of the library’s holdings include the King’s Chapel Library collection, with roots in the 17th-century settlement of Boston; rare publications in Native American languages; the personal library of George Washington; historic early European printed works; and numerous works of fine art, including portraits of notable Americans such as Hannah Adams, John Marshall, and Alexander Hamilton, and by artists such as Gilbert Stuart, John Singer Sargent, Allan Rohan Crite, and Polly Thayer Starr. An extensive collection on the art of the book includes exquisite and rare examples from many eras of bookbinding and fine printing, as well as contemporary artists’ books. Learn more at bostonathenaeum.org.

Company: Non-profit research library and museum that highlights the evolution of energy and enterprise in a port city.Role: Managed all integrated marketing, branding, and public relations. Curated, marketed, and delivered programming and events. Cultivated new donors and members and maintained an active engagement program with all audiences.

Plimoth Patuxet Museums provide an engaging and experiential outdoor and indoor learning environment on its main campus and at the State Pier on Plymouth’s waterfront. Our permanent exhibits tell the complex and interwoven stories of two distinct cultures - Indigenous Wampanoag and English colonial. The main exhibits are enhanced with an exciting menu of special events, public programs and workshops that offer a rich and diverse exploration of the 17th-century. Generations of families, millions of school children and countless people from all over the world have visited here and participated in Plimoth Patuxet's educational experiences that spark the imagination, delight the senses, touch the heart and enrich the mind.

As Program Assistant, I wear many hats. I lead field trips and youth classes for local students of all ages both at the museum and as outreach and coordinate education department calendar by scheduling tours and classes for a range of visitors. Develop new educational programming with the Director of Education and outside partners, such as the NPS, Boston Public School system, Boston University, and Google 360.I also coordinate public programming events every Saturday from May - October and public programming for school vacation weeks in February and April.I am a co-host and co-producer of our in house podcast, Revere House Radio.I maintain and update our website.I'm in charge of maintaining our Mailchimp account and create monthly e-blasts to our stakeholders.I manage the retail arm of the Paul Revere House as well as maintain and nurture vendor relationships. I manage membership database and track renewals. I provide administrative support to the Executive Director and other director level staff.Train gift shop staff on shop upkeep and point-of-sale systems, track inventory and orders, both incoming and outgoing.

At Heritage Museums & Gardens we celebrate the landscapes and culture of our region, and inspire people of all ages to explore, discover and learn together. We do this through excellence in horticulture, garden design, outdoor discovery, STEM education, and the exhibition of great collections.

Revolutionary Spaces is the parent organization overseeing the historic Old South Meeting House and Old State House as both landmarks and museums, as well as gathering spaces for the open exchange of ideas and the continuing practice of democracy. Revolutionary Spaces brings people together to explore the American struggle to create and sustain a free society.

Historic Boston Incorporated is a non profit organization that works with local partners to identify and invest in the redevelopment of historically significant buildings and cultural resources in order to catalyze neighborhood renewal. Historic Boston projects benefit from a full menu of high quality support including technical expertise, site acquisition, project financing and access to local, state and federal resources.

Our Mission Fuller Craft Museum offers expansive opportunities to discover the world of contemporary craft. By exploring the leading edge of craft through exhibitions, collections, education, and public programs, we challenge perceptions and build appreciation of the material world. Our purpose is to inspire, stimulate, and enrich an ever expanding community. Our Vision Fuller Craft Museum aspires to be the nexus of contemporary craft. Embodied by creative aesthetic, concept expression, and cultural meaning, we will serve as a public resource to chronicle, interpret, and present craft in its many forms. We will support, redefine, and influence the field through exploration, education, and thought leadership. Our goal is to expand awareness, insight, and accessibility for our growing audiences. A Brief History Fuller Craft Museum was made possible by Myron Fuller, who in August 1946, set up a trust fund for an art center to be educational in nature. A native of Brockton, Fuller was a geologist and a hydrologist. During his career, he amassed a small fortune. From his accumulated wealth, Fuller set aside the sum of one million dollars, to establish the art museum and cultural center in memory of his family. In 1969, the Museum was built and first opened its doors as the new Brockton Art Center Fuller Memorial. The Museum eventually changed its name to The Fuller Art Museum and began collecting artwork in every medium. In 2004, the Museum changed again to Fuller Craft Museum to focus solely on collecting contemporary craft. Makers who work primarily with their hands in materials that are tactile and familiar (wood, metal, glass, ceramics, and fiber) have stretched the boundaries of functional everyday craft objects into the conceptual, the personal, the virtuosic, and wildly imaginative studio craft scene.